Private Painting Breaks
Terms & Conditions for the Art Break Workshops will apply.
If this idea appeals to you, the best thing to do would be to
telephone
so that we can discuss the feasibility and precise costs of what you
have in mind. Speak to either Rob or Siān
'A what?' we hear you ask!
The 'Circular Course' consists of 10 workshops spread over a 12 month period. Covering a wide range of topics, the focus is on acquiring and developing the skills needed to achieve a high standard of watercolour painting. Each workshop stands in its own right, but together they build to form a course that gives a strong foundation in watercolour techniques. The cycle of 10 topics is then repeated, continuing students building on the skills developed in previous workshops. Students may join at any point, choosing to book for just one workshop, the whole course, or just selecting the particular workshops that suit their requirements. It is suitable for all ability levels. These workshops are mainly studio based but include excursions where appropriate.
TIMES: 10.00 AM TO 4.30 PM
The 'Circular Course' consists of 10 workshops spread over a 12 month period. Covering a wide range of topics, the focus is on acquiring and developing the skills needed to achieve a high standard of watercolour painting. Each workshop stands in its own right, but together they build to form a course that gives a strong foundation in watercolour techniques. The cycle of 10 topics is then repeated, continuing students building on the skills developed in previous workshops. Students may join at any point, choosing to book for just one workshop, the whole course, or just selecting the particular workshops that suit their requirements. It is suitable for all ability levels. These workshops are mainly studio based but include excursions where appropriate.
TIMES: 10.00 AM TO 4.30 PM
NUMBER OF PLACES 12 per workshop
VENUE: Please check individual sessions.
DATES: See below
VENUE: Please check individual sessions.
DATES: See below
COST: £40 per
workshop. (Students bring their own lunch and materials)
Booking is essential for this popular course
CIRCULAR COURSE PROGRAMME 2009
JANUARY 17th 2009 Session 1 COLOUR
VENUE: Lukesland Gardens, Harford, Ivybridge, PL21 0JF
Explanation
of basic colour theory: primary, secondary and tertiary colours, colour wheel, complementary/
harmonising colours, cold/warm colours. Getting to know your paints - understanding how different pigments behave differently. Mixing
colour: mixing from primary colours, mixing from secondary colours; mixing darks.
FEBRUARY 21st 2009 Session 2
MASKS AND STENCILS
VENUE: Lukesland Gardens, Harford, Ivybridge, PL21 0JF
Consideration of the various methods of masking areas of a
watercolour painting, including different types of masking fluid, masking tape, paper, frisket and stencils, and the effects achieved
by masking at different stages in a painting.
MARCH 14TH 2009 Session 3 TONE
VENUE: Lukesland Gardens, Harford, Ivybridge,
PL21 0JF
Light and dark and how to see it! Tone as the most important element of watercolour technique. A good painting will work in black and white as well as it does in colour.
Light and dark and how to see it! Tone as the most important element of watercolour technique. A good painting will work in black and white as well as it does in colour.
APRIL 25TH 2009 Session 4 PLANNING THE PROCESS OF PAINTING
VENUE:
Lukesland Gardens, Harford, Ivybridge, PL21 0JF
The importance of planning a painting thoroughly. Methods of planning; check
list of things to consider before starting to paint. The difference thorough planning can make!
MAY 23RD 2009 Session
5 INFORMATION GATHERING
VENUE: Harbour House, The Promenade,Kingsbridge,Devon TQ7 1JD
A guide to sketching (drawing for reference),
making tonal notes, colour notes and written notes. Use of reference works (e.g. other paintings). Taking photographs as reference.
Manipulation of photographs, including the use of photocopiers and simple computer programs. Using your gathered information to plan
a painting.
JUNE 27TH 2009 Session 6 DRAWING WITH PAINT
VENUE: Lukesland Gardens, Harford, Ivybridge, PL21 0JF
Consideration
of the definition of 'drawing'. The importance of good observation and its place in designing a painting. The imporatance of observational
drawing as a tool for seeing and recording. Experimentation with different methods of observing, and the different tools used as aids.
JULY 25TH 2009 Session 7 COMPOSITION
VENUE: Harbour House, The Promenade,Kingsbridge,Devon TQ7 1JD
Traditional methods of composing a picture, and its application to various painting styles. Comparison with other methods of ordering a composition. Visual pathways - leading the eye around the picture. Focal point. Balance of tone, shape, texture and colour. Tools to aid composition; tracing paper, computer programmes, a Golden Section viewfinder, grids.
Traditional methods of composing a picture, and its application to various painting styles. Comparison with other methods of ordering a composition. Visual pathways - leading the eye around the picture. Focal point. Balance of tone, shape, texture and colour. Tools to aid composition; tracing paper, computer programmes, a Golden Section viewfinder, grids.
SEPT 19TH 2009 Session 8 NATURALLY FIGURATIVE
VS SURREALIST PAINTING
VENUE: Lukesland Gardens, Harford, Ivybridge, PL21 0JF
Explore your creativity! How far do we stay 'true' to
the subject in front of us? How far are we prepared to deviate from our original source material to make a picture? Consideration
of the 'intent' behind our paintings. How do you want the viewer to 'read' your work?
OCTOBER
17TH 2009 Session 9 SURFACES, TEXTURE & MARK MAKING
VENUE: Lukesland Gardens, Harford, Ivybridge, PL21 0JF
Choice of 'support' i.e. which surface do we paint on, including different papers, cardboard, vellum, silk and the use of surface preparation media such as gesso. The importance of experimenting to increase your range of marks. Appropriate use of marks in a painting. Consideration of marks during planning a painting. Use of other media to increase your range of marks e.g. granulation medium, gum arabic.
Choice of 'support' i.e. which surface do we paint on, including different papers, cardboard, vellum, silk and the use of surface preparation media such as gesso. The importance of experimenting to increase your range of marks. Appropriate use of marks in a painting. Consideration of marks during planning a painting. Use of other media to increase your range of marks e.g. granulation medium, gum arabic.
NOVEMBER
21St 2009 Session 10 PAINTING WITH THE EXPERTS
VENUE: Lukesland Gardens, Harford, Ivybridge, PL21 0JF
Keep an eye on us practising what we preach as we paint alongside students.Having prepared all reference before hand, students paint a picture in the studio... and so do we!
Keep an eye on us practising what we preach as we paint alongside students.Having prepared all reference before hand, students paint a picture in the studio... and so do we!
If you would like to discuss the Circular Course further before booking please don't hesitate to contact us.
Terms
and Conditions of booking may be found on the Circular Course Booking Form. (Please ensure you are completing the appropriate form.)
The next Circular Course workshop is
SESSION 6
DRAWING WITH PAINT
Saturday 27th June 2009
10.00 am - 4.30 pm
at
Moor to Sea Arts Tuition
Rob Dudley
We have no 'watercolour secrets' at Moor to Sea Arts - we are happy to share with you all the tips, tricks and techniques we know.
Moor to Sea Arts tuition is designed for you to succeed. Whatever you perceive your standard of painting to be, Rob and Siān are confident
that they can help you to get more from your watercolour painting, a confidence only years of qualified teaching can bring.From the
choice of paper, brushes and paints to the best way of simplifying complex subjects or the use of tone and colour, Moor to Sea arts
tuition is planned, professional and perfect for all.
"Having said that, we have a lot of fun! The atmosphere is relaxed and friendly and we have to admit, we love teaching. It gives us a real buzz when we someone achieve more than they had thought possible, and to share in their delight. But be warned - we're told our enthusiasm for watercolour is infectious. You might find it difficult to put your brushes away!
Our tuition is techniques based, rather than subject based. We believe a good solid foundation of techniques allows you to explore painting without being tied to a single subject.
In 2009 we are running the 'The Circular Course ',which is a series of one day workshops, and regular Evening Classes at Ivybridge Community College. From time to time we may run additional 'Art Breaks '; please keep an eye on this page for details.
If you like the sound of our workshops but are unable to attend on the set dates, perhaps you would like to consider a 'Private Painting Break'. "
"Having said that, we have a lot of fun! The atmosphere is relaxed and friendly and we have to admit, we love teaching. It gives us a real buzz when we someone achieve more than they had thought possible, and to share in their delight. But be warned - we're told our enthusiasm for watercolour is infectious. You might find it difficult to put your brushes away!
Our tuition is techniques based, rather than subject based. We believe a good solid foundation of techniques allows you to explore painting without being tied to a single subject.
In 2009 we are running the 'The Circular Course ',which is a series of one day workshops, and regular Evening Classes at Ivybridge Community College. From time to time we may run additional 'Art Breaks '; please keep an eye on this page for details.
If you like the sound of our workshops but are unable to attend on the set dates, perhaps you would like to consider a 'Private Painting Break'. "
A big 'Thank you for the encouragement' to those of you who
have written to tell us how much you enjoyed your time with us!
If you are planning a painting break with a few fellow artists and like the sound of what we are offering, perhaps you might like
to consider a private painting holiday.
As well as being able to arrange dates to suit, we would be happy to discuss your
requirements in terms of subject matter, techniques and studio venue.
With Moor to Sea Arts you can expect a high standard
of tuition in a relaxed and friendly atmosphere.
If your preference is for an intense period of tuition we can provide a structured
workshop or course, the content of which is decided upon after discussing your requirements and ability. Some folk would prefer
a more relaxed approach, incorporating watercolour and tuition into their leisure time, or as part of a holiday. While the standard
of tuition would remain as high the approach can be much more informal.
We have a strong belief that the best paintings appear
when the artist is enthused by the subject matter. Limits on choice of subject matter will be imposed by tide, time, weather and practicalities,
not by pedantic tutors!
A typical workshop begins with an informal 'Meet & Greet' over coffee, when we talk to the
students about their hopes for the day and look at their work. A typical day may include demonstrations, an informal talk on the technical
focus of the day and relevant exercises. If weather, tides and student interests permit we may include excursions.
Whichever watercolour techniques have been chosen we do not study these in isolation, but make constant references to other technical
elemensts of painting and how they work together in the context of a painting. All our workshops are designed to be very
flexible, and, as far as possible working within the constraints of a group, we will try to adapt the workshops to individual
wishes.
If you would like to come to Iybridge you could take advantage of our local knowledge of beauty spots, beaches
and taverns in planning excursions. The area is particularly well suited to rural landscapes, including moorland, rivers, coastal
and beach scenes, seascapes, skies and the flora and fauna of the famous Devon hedges. We have plenty of inspirational ideas
for you, but if you would like to bring your own reference material to work from, thats OK too.
We are able to book Lukesland Gardens
(subject to availability). We will consider alternatives depending upon the practicalities of the available studio space;
for example, some holiday cottages have wonderful kitchens. We are happy to help you find accommodation locally.
We are also happy
to explore an alternative location, and would be prepared to discuss us travelling to you.
Costs will vary according to your
requirements. There is a minimum tuition fee of £160 per tutor per day up to a maximum of 8 students per tutor. Additional
costs would be incurred where applicable e.g. materials, studio rent, lunch and refreshments, travel expenses, accommodation.
Siān Dudley
Art Breaks
We may run occasional workshops in addition to the Circular Course. Please keep your eye on this space for further
details!
Taster Sessions
£7.00
If you are not sure whether this is the right watercolour class for you, why not come along
for a single session before deciding whether to commit to the remainder of the term.